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A. Makelov

September 29, 2013

Posted by on *“…mirrors and copulation are abominable, because they increase the number or men.”*

“Tlön, Uqbar, Orbis Tertius”, Jorge Luis Borges

You can tell that Borges was very fond of reflections, and now I intend to try to make him happy.

In short, the Cosmic Coincidence Control Center (and it seems that I’m included in that number?) was extremely busy last week. After finishing my first-ever short story, that feeble imitation of Borges, bearing the following arrogant dedication *“While this story was being written, I thought I had stolen Borges’ style; but now I know – he stole my idea”, *I was ruthlessly hunted down – so after all it was me who stole something, but hey, who is to say.

First, I decided to write my first paper for the science fiction class I’m taking (which is absolutely fun, thanks to this guy) on “The library of Babel”. OK, I can take that – after all, you might argue that I have free will and whatnot, so in fact it was not a coincidence.

Next, I randomly decided to watch a video by vihart called “Twelve tones”, cause, you know, it seemed to be her most popular one. And – bam! – there was “The library” again.

After that, I was even more randomly reading the chapter on randomized algorithms from the book on computational complexity by Oded Goldreich, and guess what, the quote at the beginning was:

I owe this almost atrocious variety to an institution which other republics

do not know or which operates in them in an imperfect and secret manner:

the lotteryJorge Luis Borges, “The Lottery in Babylon”

I know, it’s not a library, it’s a lottery, but a lottery is just the closest equivalent of a library to people doing randomized algorithmis – after all, a bunch of monkeys randomly typing on a bunch of typewriters will produce the works of Shakespeare at some point. And a Babylon is like a baby Babel anyway.

Finally, it turned out that the book I blogged about last week, “Orphans of the sky”, is way too similar to “The library of Babel” – something I realized only after re-reading the library (or rather, “The library”. haha). It’s not just that both things came out in 1941 (yeah, I don’t know, it’s crazy), but they both construct extremely similar settings, visually and conceptually. Read them and you’ll know – don’t want to spoil anything!

All in all, it was pretty obvious that Borges was after me, and that he wouldn’t leave me alone unless I wrote something about the library and about computational complexity. So here we are now.

What is this library anyway? The premise of the story is simple enough: a library which contains all possible books 410 pages long, conveniently stacked in a seemingly infinite array of identical hexagonal galleries, which comprise all the world. It has the complete works of Shakespeare, the biographies of all people that have ever lived on Earth, the proofs of a bunch of conjectures in mathematics, these same proofs with the last line wrong, “The library of Babel”, etc. Sure, it’s a big place. It also has people randomly walking up and down and thinking they have it all figured, arguing that, you see, a pentagonal gallery would be fundamentally impossible, so that’s why galleries are hexagonal.

But I don’t really want to talk about the social metaphors of the library (a decent subject in its own right); rather, I like to think of it as a representative of a somewhat underrepresented part of SF, something you might reasonably call “math fiction”. Borges wrote several other stories with a strong flavor of mathematics – “The Aleph”, “The garden of forking paths”, “Blue tigers”, “The book of sand”, to name a few amazing ones.

Is MF SF? I would argue that it is, for:

1) math is as good a science as any of your usual ‘favorites’ in SF – physics, chemistry, biology – and in fact, it is the language underlying all of them, a language of even greater expressive power

2) yes, all the ‘falsifiable hypothesis blabla’ stuff does apply to mathematics, and in fact, modern mathematics seems to rely more and more on simulations and experiments

3) MF has already sneaked in SF: there are works that arguably classify as MF which have won a bunch of awards. I know for I’ve read one such – “Permutation city” by Greg Egan, which I strongly recommend to people interested in the computational aspects of consciousness.

YAY MATH FICTION! So, “The library of Babel” uses a very simple mathematical idea – “the set of all sequences of a given length, in a given set of symbols” – to achieve very interesting and complicated effects, and that makes it great math fiction. Suppose you wanted to write a book, and you had some reasonably good idea of what you want it to be about, and you knew it wouldn’t be longer than 410 pages. It then seems very plausible that, if someone hands you a book and you read it, it will be ** qualitatively **easier for you to tell if that’s the book (or

This has two consequences: one philosophical, one computational. First, is an author just a treasure-hunter? Does an author create a work, or has the work been there all the time, and the author is `merely’ the one who found it? What the hell?

But hey, that’s not a big deal. What if we try to write books in the way described above? What if we try to do math the way described above – if we want to prove a theorem, we just go through all possible proofs of a given length, for all lengths, until we find one that works? Then mathematical discovery will be more or less fully automated! Ideas of the sort motivated the computational revolution that was just starting at the time Borges wrote his story, and they shape much of modern computational complexity theory.

As for the point of the above example in this context – we might need some new, more practical definitions of * quantitative* and

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September 22, 2013

Posted by on While the book is still fresh in my mind (it’s about 1 hour, or 60 minutes, that is, 3600 seconds, behind me). You know a science fiction book is good (to you) when it constructs curious ideas and situations you haven’t ever imagined before (which are of course made possible by some kind of, well, technology; otherwise it wouldn’t be much of a SF work; or would it?). Another way you know a science fiction book was good to you is when you read it, and then (of course) go to wikipedia, see when the thing was written, and be like “What? I thought it was written in the 70s or something…”.

“Orphans of the sky” by Heinlein was good to me in both respects. If I had to summarize the insight I gained from it in a sentence, it would roughly say this. The concepts of ‘humanity’, ‘human nature’ and ‘common sense’ are highly dependent on, and extremely, short-time-scale flexible with respect to, the knowledge passed from parents to children.

And here’s a quote that is both representative of this idea and a sort of motivation for the study of general topological spaces as opposed to metric spaces (What? What did I just say?…):

Metrical time caused him as much mental confusion as astronomical distances, but no emotional upset The trouble was again the lack of the concept in the Ship. The Crew had the notion of topological time; they understood “now,” “before,” “after,” “has been,” “will be,” even such notions as long time and short time, but the notion of measured time had dropped out of the culture. The lowest of earthbound cultures has some idea of measured time, even if limited to days and seasons, but every earthly concept of measured time originates in astronomical phenomena; the Crew had been insulated from all astronomical phenomena for uncounted generations.

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